Anne E Stoner | Collection of Work


Anne E. Stoner is a post-studio sound artist and researcher whose work criticizes infrastructural and political systems of disability, injury, and death. 


Her work brings about and coalesces studies in bodily complexities and disability studies, human geographical theories and psychogeographies, contemporary methodologies in ethnographic archiving and queer anthropology, new possibilities within technology and studies within human movement and routine, to create a practice with an empathetic methodology that challenges visual standards within 21st century artmaking. Her work has been shown nationally and internationally, including venues such as the Tang Museum, New York State, the Chazen Museum, Madison, and the Morley Gallery, London. Anne’s sound and writing can be read and listened to in Resonance: The Journal of Sound and Culture, Global Performance Studies Journal, and the Struer Tracks Sound Biennial Almanac. 
 

Anne holds an undergraduate MA(h) from the University of Edinburgh, Edinburgh College of Art and an MA from Northwestern University. In 2023 she began working toward an MFA in Studio Art from the University of Wisconsin, Madison.


Email: anneestoner@gmail.com
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Infrastructure Bodies/Injury Systems

2026








The
Power, The Shiver, The Anthropocene: An Exhibition on the Great Texas Freeze

2025








The Disabled Wandering Atlas:
A Distanced Social-Curatorial Project

2025








Drowning Out the Noise: Private Listening, Public Spatialities, Queer Wellbeing
2021-2025




Evocations, City Invisible
2024






Sounding Together: Exploring Ethics and Reflexivity in Social, Participatory, and Ethnographic Sound Recording

In the Struer Tracks Biennial Almanac


2025






Desired Paths, Required Movement: A Guide to Traveling While Chronically Ill in This Place


In Global Performance Studies Journal

2023-2025






Intersubjectivity (If I tell you how it felt, can you feel it too?)

2024






Sonic Mobilities


2024






In Conversation with the Floor Beneath My Feet


2023






Walk Upon our Sweet and Blessed Land!: Exploring Walking, Complex Embodiment and Shared Space through a Soundwalk on Edinburgh's Water of Leith Walkway


First iteration recorded April, 2021
Second iteration recorded December, 2021







Cartesian Mind Over Cartesian Body: Ugly and Unlikeable Perspectives on Physical Trauma, on Wooden Floor, on Tape


2022






I am not drifting, I am moving the best I know how: An Analysis of Desired Paths and Required Paths, in Offense of Situationist International, in Public


2022






Sign Vehicles, Sign Aids

2022




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